Borderlands 3 Review

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Stubbornly refusing to reinvent itself after a five-year absence, Borderlands 3 sticks to its guns and manages to outdo itself. Refined movement and shooting, a legion of enjoyably challenging enemies, and the single largest arsenal of mechanically distinct firearms I’ve ever seen in a video game easily make this the best in a great series of co-op shooters. 

Its trademark stylized art, on-the-nose humor, and tattoo-fueled storyline are all enjoyable enough in their own right, but what really makes Borderlands 3 excellent is the addicting item chase that unfolds over the course of 30 hours’ worth of lovingly crafted main and side missions. What’s more, this is an adventure I could see myself happily undertaking again, from scratch, with a new character and a fresh group of friends. 

You’ll arrive on the familiar planet of Pandora to find it overrun by bandits and on the verge of total collapse… so, normal. But this time around you aren’t stuck on Pandora. You’ll venture to several varied and jaw-droppingly beautiful planets, from the grimey neon metropolis of Promethea to the cherry-blossom-speckled peaks of Athenas, each stands out visually in a way the series rarely has before. 

Though few have mechanical differences that distinguish them from the rest, every nook and cranny is generously littered with chests, collectibles, and amusing Easter eggs that make exploration and looting almost as much fun as the combat. I made frequent use of vehicles to get from one place to another on these large maps, but as with the previous games, vehicular combat is still so clumsy and relatively dull that I only fought in one when a mission required it.

You’re going to venture to several varied and beautiful planets, each standing out visually in a way the series rarely has before. This time around, you and your team of up to four will take control of Moze the Gunner, Zane the Operative, Amara the Siren, or FL4K the Beastmaster. They’re a personable bunch: FL4K’s backhanded compliments are always good for a laugh and Moze’s mid-combat pop-culture references are pulled from refreshingly eclectic sources like Ariana Grande and John Wick. They’re fairly standard fare for a Borderlands game at this point, but unlike the previous games’ casts, every class has their versatility boosted by a choice between three different action skills selectable at the top of each notably beefed-up skill tree – except for Moze who gets to customize her mech’s loadout. 

Moze and her mech.

The cast of supporting characters found in these cosmic backwaters candidly edge out the generic but somewhat amusingly villainous Calypso Twins when it comes to delivering a compelling story. Interacting with Rhys Strongfork (of Tales from the Borderlands fame), Katagawa Jr, and Wainwright Jakobs (the figureheads of the Atlas, Maliwan, and Jakob’s megacorporations, respectively) provided interesting insight into the ideological differences between my favorite gun manufacturers. It’s a wonderful marriage of storytelling and gameplay that gives extra depth to the weaponry you collect. 

Similarly, I love that Borderlands continues to put player characters from the previous games into major roles. Lilith,the original playable Siren, shines in her role as the leader of the Crimson Raiders. But not everyone is doing as well when she hits home. For example, visiting the memorial for Roland, who was my very first Vault Hunter back in the day, and finding it littered with heartfelt graffiti certainly struck a sentimental nerve.

There will always be something you like in this game. Even optional missions are creative and enjoyable. This meaningful weapon variance is further helped along by a greater emphasis on what differentiates each manufacturer. For instance, all Vladof weapons can switch between two firing modes, like a gatling gun that toggles to an underslung grenade launcher, while the Children of the Vault weapons don’t need to be reloaded at all, but can overheat and need to cool off if you hold down the trigger too long.

But what’s most impressive about Borderlands 3’s arsenal is how these in-game weapons look and feel when you use them. It’s the delightful little touches – like cocking the hammer on a revolver, the red-hot smoking barrel of a shotgun, or a bolt chattering away on an assault rifle – that are the types of details I’d expect to see on handcrafted models, not these procedurally assembled ones. In the same vein, many of the game’s weapons feel fantastic with a mouse and keyboard on PC, thanks to pronounced recoil and crisp sound design. 

My only minor criticism of the game’s gunplay is that the sight picture (the parts of your gun that appear on the screen when you raise it to your eye) on many weapons too often obscure your target, somewhat defeating the purpose of including the ability to aim down sights in the first place.

Then comes the best of all loot: legendaries. Like in Borderlands 2, these guns and gadgets fill out the upper echelon of the loot table with hand-crafted effects that are, in many cases, a celebration of how far Borderlands 3 is willing to go to be absurd and surprising. My favorites so far are the Laser-Sploder that spits out rockets and a laser at the same time, the Cloud Kill (Maya, anyone?) which leaves enemies choking on corrosive fumes, and (through what must be the result of a backroom handshake deal between Texas-based developers) the Hellwalker, which is a dead ringer for the Super Shotgun from Doom.

It should come as no surprise that you’ll be getting plenty of use out of these guns thanks to a varied and creative horde of enemies. While the familiar menagerie of foes like bandits, skags, spiderants, and more all return with fresh coats of paint, you’ll also encounter a handful of new archetypes like the monstrous tink-topped hag or a long shot sniper.

Without giving too much away, you’ll also square up against several new enemy types. Borderlands 3 is at its most hit-or-miss in the quality of its boss encounters, which, frankly, are all over the place. The bulk of them (especially toward the end of the campaign) are particularly good. There’s the exemplary Agonizer 9000, who comes complete with crit spots, flaming vents to dodge, a massive saw blade to jump over or slide under, and even a second phase which mixes things up further. And the good news is that every other boss with major plot significance follows this great formula: precise telegraphs, challenging mechanics, and mostly avoidable damage.

Your adventure doesn’t end when the credits roll. Borderlands 3 has several new ways to play, most notably Mayhem Mode, which incrementally ups the difficulty and adds random effects (like Double Whammy which doubles projectiles fired) to some enemies for greater rewards. After unlocking Mayhem Mode you’ll also start earning all-new Guardian Ranks which provide further stat increases like gun damage and cool effects like increased loot luck after scoring a kill. Couple this with True Vault Hunter (AKA new game plus), the Circle of Slaughter (horde mode by any other name still smells as sweet), and the all-new Proving Grounds (sort of like a non-randomized Diablo 3 rift) and there are many enjoyable ways to skin the endgame cat – more than we’ve seen in any previous Borderlands game.

My Verdict: If Borderlands 3 is what happens when a modern looter shooter doesn’t concern itself with the longevity of its item economy and daily quests, then you can sign me up for Borderlands 4 right now. Being untethered from persistent servers and able to trade loot at will is a refreshing change of pace, but that’s hardly the only reason why this such an amazing co-op FPS. The sheer magnitude and diversity of its arsenal of fun and surprising weaponry is unmatched, and the striking amount of loving detail and variety packed into its energetic and replayable 30-hour campaign is what makes Borderlands 3 a high-point for the series – and the genre as a whole.